Books
Edition of bindings of What Kind of Past by Joe Youcha. Navy cloth on the spine and foredge, special stamp made for the covers.
Fine binding of The Faggots and Their Friends Between Revolutions by Larry Mitchell. Full goatskin, with goatskin onlays. Design done by tattooing the leather.
Fine binding of La Vita Nuova by Dante. Design done with onlays and smoke tooling.
Middle Egyptian Grammar, bound in buckram with gold foil tooling and a leather label.
Monastir Dialect, bound in traditional Italian paper binding in handmade paper. Paper collage done to reflect the mountains of Monastir and to make the title.
Almanac of the Dead by Leslie Marmon Silko. Paperback turned into rounded spine book with Rubow style case. Leather label hot stamped. Marbled papers by binder.
view of marbled papers in Almanac of the Dead
view of headcap and yellow leather headband on Almanac of the Dead
Rebound copy of Ashkenazi Herbalism with hand embroidered and appliqued "quilt top" cover
Rebound copy of Before All the World, with leather Rubow style case and paper marbled by binder.
Art Supplies, bound in split-board binding and covered with hand pieced and appliqued "quilt top" cover.
Trade rebind of The Bintel Brief, with goatskin, cloth, and gold tooling
Edition of 4 books about Usain Bolt
Edition of 4 books about Usain Bolt in their slipcase
Case bindings with cork covers
18th century leather bindings. Two are blank, the Tennyson book is a traditional rebinding.
Case bound journal with improvisational quilt top as a cover
Leather case rebind of In My Father's Court by Isaac Bashevis Singer. Paper marbled by Claire Guillot
Three leather case bindings lined up, some of the paper marbled by me, some by Chena River Marblers
Trade rebind of Painful Pleasure, with goatskin, cloth, and gold tooling.
Millimeter binding examples, most of the paste papers made by me (with one honorable mention from Hook & Pottery)